959 Free Images of Colored Lithograph On Paper

hand-colored lithograph on paper the aboriginal portfolio lithographs in the smithsonian american art museum smithsonian american art museum james otto lewis national gallery of art lithographs in the national gallery of art (washington, d.c.)ojibwa people color lithograph ho-chunk

Interior with Hanging Lamp (Interieur a la suspension), Édouard Vuillard, 1899

lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ME-NO-QUET; A Distinguished Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Modern Printmaking: Before the Ballet, Charles Paul Renouard, 1898

lithographs of france in the cleveland museum of art paul renouard

The Phomium tenax, or New Zealand flax., Martha King, 1842

art in the national library of new zealand martha king

Free Theater: Smoke, then Flame, Louis Abel-Truchet, 24 October 1895

french lithographs in the national gallery of art (washington, d.c.)belle époque

The Whale Fishery, "Laying On", Nathaniel Currier, circa 1852

american prints in the brooklyn museum nathaniel currier

Alfons Mucha Abend 1899 Lithographie, Alphonse Mucha

the times of the day - alfons mucha (1899)art nouveau,symbolism

Rudyard Kipling, William Nicholson

prints in the aberdeen archives, gallery and museums collection william newzam prior nicholson

No-Way-Ke-Sug-Ga, Otoe, Alfred Hoffy, 1842

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

The Birth of Annette, Édouard Vuillard, circa 1899

post-impressionism,japonisme,les nabis vuillard (roger-marx 44)

Print, Design for a Calendar (April), 1911, Theo van Hoytema

prints in the cooper–hewitt, smithsonian design museum 1911 works

Print, Design for a Calendar (September), 1911, Theo van Hoytema

prints in the cooper–hewitt, smithsonian design museum 1911 works

Print, Design for a Calendar (July), 1911, Theo van Hoytema

prints in the cooper–hewitt, smithsonian design museum 1911 works

Print, Design for Calendar (June, 1911, Theo van Hoytema

prints in the cooper–hewitt, smithsonian design museum 1911 works

Print, Design for a Calendar (May), 1911, Theo van Hoytema

prints in the cooper–hewitt, smithsonian design museum 1911 works

To the Washington Light Infantry of Washington City, Alfred Hoffy, 1839

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

Snow game in front of the mill, Léon Spilliaert, 1918

expressionism,symbolism collections of mu.zee

Chon-Ca-Pe, Henry Inman, 1837

lithographs in the national gallery of art (washington, d.c.)academic art

Application of Charles Henry's Chromatic Circle; Théâtre-Libre playbill of January 31, 1889, Paul Signac

prints in the metropolitan museum of art pointillism

Application of Charles Henry's Chromatic Circle; Théâtre-Libre playbill of January 31, 1889, Paul Signac

application of charles henry's chromatic circle by paul signac pointillism

Shepherd of the Island of Majorca, Hippolyte Lecomte, 1818

hand-colored lithographs in the british museum lithographs of men

Pinning the Hat, Pierre-Auguste Renoir, circa 1898

renoir (delteil 30)impressionism

Debauchery (Débauche), Henri de Toulouse-Lautrec, 1896

lithographs by henri de toulouse-lautrec in the national gallery of art (washington, d.c.)post-impressionism

Elles (poster for 1896 exhibition at La Plume), Henri de Toulouse-Lautrec

post-impressionism gustave pellet

Elles (poster for 1896 exhibition at La Plume), Henri de Toulouse-Lautrec

post-impressionism gustave pellet

NPG 99 167 42 Tshusick, Alfred Hoffy, 1838

smithsonian american women's history initiative national portrait gallery (united states)

The Englishman at the Moulin Rouge, Edward Ancourt, 1892

boussod, valadon and co.edward ancourt

View of the Town of Gloucester, Massachusetts, by Fitz Henry Lane, 1836, colored lithograph on paper by Pendleton's Lithography, Boston - Cape Ann Museum - Gloucester, MA - DSC01117

collections of the cape ann museum pendleton's lithography

Yellow House, Lannion, James McNeill Whistler, 1893

prints by james mcneill whistler in the national gallery of art (washington, d.c.)aestheticism

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Tah-Ro-Hon, An Ioway Warrior, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

MAUCK-COOMAUN; A Celebrated Ioway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Keokuk, Chief of the Sacs and Foxes, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Across Country (A travers champs), Édouard Vuillard

lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis

RICHARDVILLE; The Head Chief of the Miami Tribe of the Indians, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Figure Study in Colors, James McNeill Whistler, 1890

prints by james mcneill whistler in the metropolitan museum of art aestheticism

Rufous-breasted Bamboo Partridge (Bambusicola Hyperythra), John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

At the Square, Henri Evenepoel, 1897

lithographs in the national gallery of art (washington, d.c.)fauvism

The Assumption of Hannele Mattern; Waiting for her, Paul Sérusier, 1894

lithographs in the national gallery of art (washington, d.c.)pont-aven school,les nabis,synthetism,cloisonnism,symbolism

Væddeløbsbanen, Henri de Toulouse-Lautrec, 1899

drawings by henri de toulouse-lautrec in the statens museum for kunst post-impressionism

James McNeill Whistler, William Nicholson

prints in the aberdeen archives, gallery and museums collection william newzam prior nicholson

Incest of souls; Minor and soldier, Alphonse Osbert, 1896

lithographs in the national gallery of art (washington, d.c.)symbolism

Incest of souls; Minor and soldier, Alphonse Osbert, 1896

lithographs in the national gallery of art (washington, d.c.)symbolism

Bird of Paradise (Paradisea apoda), William Matthew Hart, published 1875-1888

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

Modern Print: Parisian: Parisian, Paul César Helleu, 1898

prints by paul césar helleu impressionism

Drury Lane Rags, James McNeill Whistler, 1888

prints by james mcneill whistler in the national gallery of art (washington, d.c.)aestheticism

Miss May Belfort (State I), Henri de Toulouse-Lautrec, 1895

toulouse-lautrec (delteil 119)post-impressionism

For You (Pour toi!...), Henri de Toulouse-Lautrec, 1893

lithographs by henri de toulouse-lautrec in the national gallery of art (washington, d.c.)post-impressionism

Distribution of the American Art-Union Prizes, Francis D'Avignon, 1848

lithographs in the national gallery of art (washington, d.c.)francis d'avignon

Figure Study in Colors, James McNeill Whistler, 1890

prints by james mcneill whistler in the national gallery of art (washington, d.c.)aestheticism

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-CHE-KA-KAT or the Bad Hawk; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-KO-ME-TA or the Bear’s Oil; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CUT-TAA-TAS-TIA; A Celebrated Chief of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Landscape with a House (Paysage avec maison), Ker-Xavier Roussel, 1897

lithographs in the national gallery of art (washington, d.c.)ker-xavier roussel

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

The Laughing One: Madame Albert Besnard, Edmond Aman-Jean, 1897

lithographs in the national gallery of art (washington, d.c.)symbolism

La Fumée, puis la flamme, Louis Abel-Truchet, 1895

french lithographs in the national gallery of art (washington, d.c.)belle époque

Polichinelle - Edouard Manet - Google Cultural Institute, Édouard Manet, 1874

paintings of polichinelle impressionism

Moulin Rouge, Henri de Toulouse-Lautrec, 1891

moulin rouge: la goulue (henri de toulouse-lautrec)post-impressionism

Print, Design for a Calendar (November), 1911, Theo van Hoytema

prints in the cooper–hewitt, smithsonian design museum 1911 works

The Bakery (La patiserie), Édouard Vuillard, 1899

prints by édouard vuillard in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis

Washing, Henri de Toulouse-Lautrec, 1896

washing by henri de toulouse-lautrec post-impressionism

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